You probably already checked out saturation
It is an audio-visual installation I designed from my own researches.
It talks about time, overwhelming data flows & destruction of meaning.
All informations are here on the dedicated page of this website.
Here is an excerpt of the piece. In the real version, there is no fade in/out and the process lasts longer:
I’m currently looking for curators & interested venues for exhibiting this piece.
/ This page is work in progress. More will be added very soon and especially all devices that have been available at designthemedia.com /
Randomizer (download it)
Randomizer is a max for live device that provides an easy way to create presets randomly.
Drop it in a track, choose a track in the first list in which there is the device you want to randomize, then choose the device itself in the second list, then click on the button.
It also finds nice names to your future presets.
If you are a student of ESADMM, please go there
If you want courses about Ableton Live 9, Max for Live, Max6 (formerly Max/MSP Jitter) and Gen, Processing, Openframeworks:
please contact me here (french or english or italian)
Finally, it will happen and even it will start on next thursday at École Supérieure d’Art et de Design – Marseille/Méditerranée in Marseille.
I firstly proposed to teach Approaches of Generative Arts but, considering they really have big needs around global concepts and tools use, I proposed and will teach Approaches of Digital Arts
I already taught a bit. It was a long time ago and more related to Mathematics & Biology.
I’m really happy to have this new course there and I will give a lot for that.
I hope and I’m sure we will have fun & creative moods !
MIRAnome64 is my early monome implementation on iPad with MIRA / Max6 frameworks.
You can read everything and even download and comment there:
Basically, you have now a monome on iPad directly and smoothly usable in Max6.
The core is a Max patch you have to launch beside your classic monome application.
I designed a basic debug patch too.
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